vinyl 12" | RS Tangent
banging, fast forward & around the corner thinking 4 track ep
"Robin Stewart regrows dub techno from the seeds on 'Crinkle', following 2023's 'When A Worm Wears A Wig' with a set of twisted warehouse melters that apply advanced dub logic to pointillistic technoid rhythms. RIYL Rhyw, Peder Mannerfelt or Rrose.
Think about dub techno for a moment and it's not hard to imagine a very specific aesthetic - something that began with Basic Channel in the '90s and plateaued only a few years later. This was just one application, though; not only has techno mutated in the last few decades, but there's more to dub than bussed tape echo and snatched stabs. Bristol-based Stewart goes back to the source here, considering the way his favorite vintage dub records hit physically, not just how they sound on the surface. It's not an easy mental leap to make, considering the trade up you need to make when you prioritize soft, warm bass throbs over the kind of ear-bleed kicks you'd expect find knocking the mortar from the Berghain brickwork every weekend. When does techno stop being techno altogether, exactly?
text borrowed from ttt webpage
"Robin Stewart regrows dub techno from the seeds on 'Crinkle', following 2023's 'When A Worm Wears A Wig' with a set of twisted warehouse melters that apply advanced dub logic to pointillistic technoid rhythms. RIYL Rhyw, Peder Mannerfelt or Rrose.
Think about dub techno for a moment and it's not hard to imagine a very specific aesthetic - something that began with Basic Channel in the '90s and plateaued only a few years later. This was just one application, though; not only has techno mutated in the last few decades, but there's more to dub than bussed tape echo and snatched stabs. Bristol-based Stewart goes back to the source here, considering the way his favorite vintage dub records hit physically, not just how they sound on the surface. It's not an easy mental leap to make, considering the trade up you need to make when you prioritize soft, warm bass throbs over the kind of ear-bleed kicks you'd expect find knocking the mortar from the Berghain brickwork every weekend. When does techno stop being techno altogether, exactly?
text borrowed from ttt webpage